- (Buñuel) did so many films on the impossibility of sainthood. People trying to be good in Viridiana and Nazarin, people trying to do their thing. In ‘The Weight’ it’s the same thing. People like Buñuel would make films that had these religious connotations to them but it wasn’t necessarily a religious meaning. In Buñuel there were these people trying to be good and it’s impossible to be good. In "The Weight" it was this very simple thing. Someone says, "Listen, would you do me this favour? When you get there will you say 'hello' to somebody or will you give somebody this or will you pick up one of these for me? Oh? You’re going to Nazareth, that’s where the Martin guitar factory is. Do me a favour when you’re there." This is what it’s all about. So the guy goes and one thing leads to another and it’s like "Holy Shit, what’s this turned into? I’ve only come here to say 'hello' for somebody and I’ve got myself in this incredible predicament." It was very Buñuelish to me at the time.[4]
Only in this case, the traveler encounters the favor-asking people in Nazareth itself.
2 comments:
How interesting that he thought of Buñuel - one more dimension to think about when listening to it. It is one of my favorite songs ever.
And 'The Exterminating Angel' is my favorite Buñuel film.
Alan
Glad you liked that, Alan!
I posted it apropos of nothing ...other than Buñuel being an hispanoparlante ...but that's what it did for me too: gave one of my all time favorites a new dimension.
Thanks for the comment,
Mike
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